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Human in Death: Morality and Mortality in J. D. Robb's Novels, by Kecia Ali

Free Ebook Human in Death: Morality and Mortality in J. D. Robb's Novels, by Kecia Ali

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Review

In each chapter, Ali displays a sure command of Robb’s oeuvre, of relevant popular romance scholarship, and of contemporary debates among readers. She avoids both dense academic jargon and fannish minutia, creating an accessible text for educated lay readers and a compelling one for scholars of popular romance fiction who do not share her encyclopedic knowledge of all 15,000 or so pages of the In Death books. (Jessica Miller The Journal of Popular Romance Studies / Popular Romance Project)…Ali’s book shows the rich possibilities of analysis that crime fiction offers its readers. (Heta Pyrhönen Clues)

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Review

A deeply engaging critical reflection, Ali deftly explores how fiction both shapes and reflects our complex lived realities, how fictional utopias can reiterate and justify the prejudices of the present. Under Ali's prescient analysis, J.D Robb's popular novels become a venue for an exploration of American culture, what scares and what satisfies is revealed by Ali as saying so much more. (Rafia Zakaria, author of The Upstairs Wife: An Intimate History of Pakistan) Human in Death offers a sustained and subtle inquiry into J. D. Robb’s In Death books as novels of ideas―texts which invite their readers to think about love, desire, and romantic relationships. Kecia Ali demonstrates that these are thoughtful books, part of a genre that deserves and rewards our serious attention. This is a groundbreaking contribution to the study of mass-market fiction, the ethics of reading, and the emerging field of popular romance studies. (Eric Murphy Selinger, President, International Association for the Study of Popular Romance)Ali's fascinating forensic account of the sociological importance of the stories where we both escape and imagine ourselves into the future is a thought-provoking and accessible read for sociologists and laypeople alike. (Tressie McMillan Cottom, Assistant Professor of Sociology, Virginia Commonwealth University)Writing in an accessible idiom, Kecia Ali displays an expansive familiarity with the popular but understudied In Death series by Nora Roberts/J.D. Robb. Human in Death contains an evenhanded examination of the ethical stances visible in protagonist Eve Dallas’ world, especially in relation to gender and sexuality, economic and bodily inequality, and personal and systemic violence. Ali’s book is at heart a concordance replete with references to incidents, dialogue, and turns of phrase that bear out Ali’s evaluation of what it means to recognize or repudiate someone’s humanity in popular fiction. (Jayashree Kamblé, Assistant Professor of English, LaGuardia Community College)

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Product details

Hardcover: 206 pages

Publisher: Baylor University Press (February 1, 2017)

Language: English

ISBN-10: 1481306278

ISBN-13: 978-1481306270

Product Dimensions:

6 x 0.8 x 8.8 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,244,916 in Books (See Top 100 in Books)

I've read the In Death stories from the beginning and found this book pulled a lot of threads together really well. Enjoyed the author's take on Robb's world building and characters.

Very interesting read for those that have read the In Death series

In this scholarly analysis of the In Death books, Ali has conducted extensive research to support her exploration of the themes of Intimacy, Friendship, Vocation, Violence, and Perfection in these novels (as borne out by some eight pages of Works Cited). I don't have a particularly academic bent, so some of her points were probably lost on me and I'm not sure I could appreciate the thoroughness of her investigation or analysis.Nevertheless, I enjoyed the book because I'm a long-time Nora Roberts fan who made the switch to her futuristic police procedurals with the very first book, Naked in Death, published in 1995. Twenty-two years (and 53 installments later), I might have missed a few "episodes" here and there, but for the most part, I've been a reliable purchaser and reader of these books, which is part of the reason I was drawn to this analysis.I did feel, from time to time, that some of Ali's sections or examples overlapped, but she raises points that I had not ever considered or noticed in my own decades-long reading of the Robb novels. For instance, in Eve Dallas' world in the mid twenty-first century, "mixed race" humans are numerous and common, a characterization I've always thought to be somewhat prophetic. Yet Ali points out that Eve's closest circle of friends—especially her female friends—buck this trend and are decidedly white. I'm sorry to say I had never really noticed that before reading Human in Death. Another point Ali makes is that while homosexuality or bisexuality is common in the In Death books, again, Eve's inner circle lean toward heterosexual and, furthermore, aspire to traditional male/female relationship goals; that is, marriage. Ali states in her preface that her goal in writing this book was "critical engagement," not condemnation. True to her word, she does not pass judgment on Robb for the race or sexual orientation of Eve's immediate circle of friends and family. She merely brings it to the reader's attention.Other interesting parts of Ali's work, to me, were the long analysis of egalitarianism in the Robb novels, as well as mutuality and, often, gender role inversions. For instance, while the female of the species is more often the nurturer in the relationship, in Eve and Roarke's marriage, this role falls largely to Roarke, and he takes it on without complaint. Ali points out, with several examples, that caretaking is not one-sided. Eve does her own share of it. In fact, the themes of mutuality and reciprocity are discussed in great detail in two of Ali's chapters, Intimacy in Death (in which she explores both sexual and emotional intimacy in the Robb novels) and Friendship in Death. (I had the thought while reading the book that friendship is so closely related to intimacy that perhaps it could have been covered within one chapter. Nevertheless, the separate attention works with the In Death novels. Eve's relationship with Roarke, both the sexual and emotional aspects of it, is a main part of the series, but so too are Eve's friendships with a growing cast of secondary characters whose presence in Eve's life illustrate how far she's come over the course of the series.) In reading these chapters, I was struck by how good a friend Eve really is. Friendship doesn't always come to her naturally, but she steps up. The demands of friendship sometimes make her uncomfortable or cause her great stress, but she understands there are "friendship rules" just as she knows there are "marriage rules," and Eve works hard to maintain the reciprocity necessary to sustain close relationships. As Ali points out, "Intimacy can tolerate asymmetry and even a degree of hostility, but not the complete absence of mutuality."Ali also explores the "gray areas" of Eve's work. For the most part, Eve follows the rules, but occasionally she ventures outside the lines. In my years of reading these books, I've read comments from others (on message boards, etc.) who complain about Eve's willingness to bend the rules when it suits her. I remember one book in particular—although the title escapes me—where I, too, felt a little disturbed by Eve's penchant for stepping right up to the line...and, sometimes, over it. In that book, I thought Eve had gone too far, and I wound up taking a break from the In Death books for a while. Ali acknowledges several of these instances, but also shows us that, overall, Eve's character and commitment to justice remain steadfast.In her conclusion, Ali states that the In Death series "is at its best when it raises difficult questions without endorsing solutions." I think she also pulls back the curtain on the series a bit and shows us where some of the weak spots in the series may lie. For instance, Ali points out that Robb peppers her books with "repeated, passing reference to grinding poverty and dangerous, violent neighborhoods" and yet "desperate poverty fades quickly from the forefront of storylines." Once this was pointed out to me, I could see how similar this is to the fact that racial and sexual heterogeneity are common in the books overall, but not at all common within Eve's inner circle.Overall, I think this is a very interesting companion piece to the In Death books, especially for a long-time and committed reader like myself. I found myself nodding in agreement throughout and I'm appreciative of some of the nuances I hadn't noticed in my own reading of the In Death series through the years. More than anything, though, I finished Ali's book with a real appreciation for the work Robb has created. There are more layers and complexity to the series--including a great understanding of personal psychology and interpersonal relationships--than might be guessed at first glance, and Ali reveals them with both the precision of an academic and the fervor of a fan.(As a post script to this review, I would also encourage any reader of Human in Death to explore the 61 pages of Notes, which are rich with nuggets of In Death-related insights and other interesting tidbits that reach beyond the limitations of the In Death series. The depth of Ali's research is evident in these notes.)

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